Yesterday’s tragic bombing at the Boston Marathon has rocked us as, once again, we’re confronted with violence of the most unthinkable kind. When I got the news, my first feeling was one of helplessness. My wife Theresa texted me, “The United States feels like a terrifying place to live. But I know we can’t live in fear.” I agree. It does feel somewhat terrifying to live here these days. And while I also agree we can’t live in fear, I don’t really know what my part is, as a simple musician, to make things better. I’m not a first responder. I’m not in an influential position of the government or part of law enforcement. What can I do?

I know I’m not the only one of us who thinks like this.

The problems of the world, problems that lead to this kind of act, are huge. Too big to even wrap my mind around most days. As such, huge things need to change in order to fix them. Things that go well beyond laws and government action. After every recent violent tragedy, I’ve thought that where change really needs to begin is in the heart – for real and complete authentic love for each other (that I believe comes through faith in, and the example of, Christ) to change us individually and as communities of people here in the United States and around the world.

And in that I find my answer.

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Better Influences

April 11, 2013 — 3 Comments

Music school was a very intense time. Most of us had routines that consisted of practicing or studying our instruments every waking hour. Even our parties were with other jazz school students and we’d jam or talk about our improv classes or ensembles.

The “breaks” I took from school were things like playing in an acoustic band or going to the beach with my roommates (also jazz school students) and arguing our favorite guitar solos. But my absolute favorite thing was Monday nights at Tobacco Road. That’s when Iko Iko held their open blues jam. My friend Mike played in the band and I’d hang out with him until 4am and play as much as they’d let me.

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Why I Commit

March 20, 2013 — 7 Comments

Mumford & Sons is on the cover of the current Rolling Stone magazine and lead singer Marcus Mumford speaks about his faith in the article inside. Much has been written about what he said, so I won’t belabor it here. In summary, he says that he has his “personal views about the person of Jesus and who he was,” but wouldn’t call himself a Christian because that word “comes with so much baggage.”

When I read what he said, I was reminded of a story that came out around the beginning of the year about the growth of the ‘nones,’  the group of Americans that no longer self-identify with any religious group. It’s a group that contains many “spiritual but not religious” people.

I get all of this. Completely. When talking about my own belief in Christ, I’ll often use the phrases “Christ-follower,” “disciple,” or even quote the Robert Robinson hymn, “Come Thou Fount Of Every Blessing” and say I’m “prone to wander.” To me, all of these are more descriptive labels in this day and age than simply “Christian.”

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Opening Up Options

March 13, 2013 — Leave a comment

Landscape

My son just finished his last season as a Mite in ice hockey (kid hockey divisions have the best names: 8-year-olds are Mites, 10-year-olds are Squirts, 12-year-olds are PeeWees, 14-year-olds are Bantams, 18-year-olds are Midgets, and only after that do you get to be a Junior at age 20).

At this age of development, a lot of time is spent teaching how to stop chasing the puck and spread out on the ice to create options for teammates’ passes. Coaches spend most of the season yelling “options!” from the bench, a reminder to get open for a pass or look for the open player to pass to. It’s a very important part of the development of a young player.

It’s no different with music. Being a music director, creative director or worship leader is often about looking for, and creating, options, whether you are in a church or music director for a major artist on an arena tour.

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What’s your favorite kind of music?
Who’s your favorite guitar player?
What kind of music do you listen to?

(good, too many to name, all kinds)

Why do we always label music into compartments and genres? I get that it was necessary when record stores were the place to buy music. Pop, Rock, Jazz, Country, Bluegrass. But we search now. We tag. Music has always transcended genre labels anyway.

At least this sure does…

 

A few weeks ago, we launched a new service at our church. It’s a Sunday evening service, held at 5:05 pm and appropriately named the 505 service. In a few short weeks, it has become one of my favorite hours of the week. It’s been a lot of work, no question. The details that go into a new service – even a more laid-back, acoustic one, are many. But beyond all the extra hours we’re all putting in, we’re seeing God do something special right in front of our eyes.

On our BUMC Blog, I wrote some words about our heart behind it a while back and want to repost them here:

I met my wife Theresa in 1999. We were both new to Nashville, working in the music industry, and were introduced by some mutual friends. I was a guitarist who wanted to sing better and she was a singer who wanted to improve her guitar playing. You could say I used those circumstances to my advantage and to spend as much time as possible with her.

I had come to Nashville for a new beginning after a particularly difficult time in my life. I was raw and holding on to God tightly. And the best way I knew to do that was through music. I spent a lot of time in my apartment with just my guitar, my voice, and worship songs. Theresa joined me there and we spent many hours together singing, playing and writing songs that were for no purpose other than to offer to God.

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Even though it’s been quite a while, I want to finish this series up with my thoughts about piano and keyboards in a band setting.

Guitarists and pianists have always had a complicated relationship. When describing a band, we’ll often call it “guitar-driven,” “piano-based” or even “synth pop,” as if a band can’t exist which relies on both equally. And there’s good reason for this. While drums and bass have well-defined and unique roles, guitar and piano occupy the same space – harmonically and timbrally. These two instruments define not just the root of a chord but the quality and color – major or minor, 7ths, 9ths, 11ths, 13ths. So it’s easy for them to get into each other’s space.

Often, the biggest challenge for pianists in a band is showing restraint with regard to the sheer number of notes at their disposal. Having 88 keys spans a LOT of sonic space. And if they aren’t careful, pianists and keyboardists can quickly find themselves stepping into and on other band members’ roles. There’s a time to explore the full range of a piano – but not all at once in every song. So, pick your spots, find your parts, and realize that you’re part of a larger sound, even though a piano is fully capable of playing everything at once.

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On Time And In Tune: Bass

September 11, 2012 — Leave a comment

“In the beginning there was a bass. It was a Fender, probably a Precision, but it could have been a Jazz – nobody knows. Anyway, it was very old … definitely pre-C.B.S. And God looked down upon it and saw that it was good. He saw that it was very good in fact, and couldn’t be improved on at all (though men would later try.) And so He let it be and He created a man to play the bass.”

-History Of The Bass by Tony Levin

Bass players are often the unsung heroes of the band. What, and more importantly, howa bass player plays his or her part is often the difference between a forgettable band and a band that is totally locked in. Here are a few tips for bass players that will help make that difference:

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Recently I’ve been really drawn to People Of The Second Chance. They are, in their own words, “a global community of activists, imperfectionists and second chancers committed to unleashing radical grace everyday, in every moment, for everyone….committed to stretch ourselves in the areas of relational forgiveness, personal transparency and advocate for mercy over judgment.”

I started seeing them show up in my Twitter feed some time ago and followed them. I then unfollowed because, to be honest, it was a little too feel-good for my taste. But I have recently been noticing the movement again and was floored a couple of days ago by this incredibly powerful image from their Labels Lie series.

F*CK UP

You can read the whole story here.

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“It’s better to have no drummer than a bad drummer.”

 

There’s a lot of truth about the importance of drummers in that video. Here are a few more tips that I think make the difference between good and great drummers:

Just lay down the groove. It’s not the fills that will get you noticed. It’s the groove. If people’s heads aren’t bobbing that’s a problem. This means being okay with playing simply. Simplify your kit. If the groove won’t happen with kick, snare, and hi-hat, it won’t happen with 4 rack toms, 3 floor toms and 5 crash cymbals either (unless of course you are Simon Phillips, but he could groove with a trash can and lid I’m sure). And groove will never happen with roto toms.

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